Francisco José Rodríguez Mesa
The seventh day of Decameron is devoted to “policies and deceits that women have used for beguiling of their husbands, either in respect of their love, or for the prevention of some blame or scandal”. The first story of this section is preceded by the exegetical paratext “Gianni Lotteringhi hears knocking at night on the door; he awakens his wife, and she makes him believe that it is the ghost; they conjure him with a prayer, and the knocks cease”. In this chapter I aim to analyze the ghost as a comic and pseudo-religious motif in this novella. The role of the tale within its literary frame will be studied in order to determine the function of the delusion concocted by the wife in the global context in which it appears. The tale will also be analyzed taking into account the different roles of its characters and the dichotomy between feminine and masculine worlds it implies since its very beginning.
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ISBN: 978-989-26-1763-3
eISBN: 978-989-26-1765-7
DOI: 10.14195/978-989-26-1765-7_9
Área: Artes e Humanidades
Páginas: 139-148
Data: 2019
Keywords
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Outros Capítulos (18)
Introduction
[s. n.]
https://doi.org/10.14195/978-989-26-1765-7_0
Ghosts stories in the Greek novel: a typology attempt
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https://doi.org/10.14195/978-989-26-1765-7_1
The function of dream-stories in Plutarch’s Lives
Dámaris Romero-González
https://doi.org/10.14195/978-989-26-1765-7_2
Menippus: a truly living ghost in Lucian’s Necromancy
Pilar Gómez Cardó
https://doi.org/10.14195/978-989-26-1765-7_3
Lies too good to lay to rest: the survival of pagan ghost stories in early Christian literature
Daniel Ogden
https://doi.org/10.14195/978-989-26-1765-7_4
Demons, ghosts and spirits in the philosophical tradition
Vázquez Manuel Bermúdez Vázquez
https://doi.org/10.14195/978-989-26-1765-7_5
The atomistic denial of ghosts: from Democritus to Lucretius
Vera Ángel Jacinto Traver Vera
https://doi.org/10.14195/978-989-26-1765-7_6
The role of the ghosts in Seneca’s tragedies
Miguel Rodríguez-Pantoja
https://doi.org/10.14195/978-989-26-1765-7_7
Ghosts of girlfriends past: development of a literary episode
Mariscal Gabriel Laguna Mariscal
https://doi.org/10.14195/978-989-26-1765-7_8
On women’s faithfulness and ghosts: about Decameron 7
Francisco José Rodríguez Mesa
https://doi.org/10.14195/978-989-26-1765-7_9
The “Ghost” in the Magic Treatises by Lope de Barrientos
Antonia Rísquez
https://doi.org/10.14195/978-989-26-1765-7_10
“Phantom Ladies” and “Ghost Gallants”: the motif of supernatural lovers in the Spanish golden age theatre
Ana Zapatero Molinuevo
https://doi.org/10.14195/978-989-26-1765-7_11
Tomorrow in The Battle Think on Me: haunting ghosts, remorse and guilt in Shakespeare’s Richard III and Javier Marías
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https://doi.org/10.14195/978-989-26-1765-7_12
Ghostly presences in H.P. Lovecraft’s “Cool Air” and The Case of Charles Dexter Ward
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https://doi.org/10.14195/978-989-26-1765-7_13
The influence of The Castle of Otranto in The Shining, or the reception of eighteenth-century Gothic ghosts in Stephen King’s literature
Abril Cristina A Huertas Abril
https://doi.org/10.14195/978-989-26-1765-7_14
The ghostly, the uncanny and the abject in Jean Rhys’s After Leaving Mr Mackenzie
López María J. López
https://doi.org/10.14195/978-989-26-1765-7_15
The Moroccan jinn in the Anglo-American literary and ethnographic tradition
María Porras Sánchez
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Purgatory in Los Pedroches: an anthropological approach from the ethnographic analysis of a ceremony: Ánimas Benditas in Christmas Eve in Dos Torres
Ignacio Alcalde Sánchez
https://doi.org/10.14195/978-989-26-1765-7_17