/ Catálogo / Livro / Capítulo

The influence of The Castle of Otranto in The Shining, or the reception of eighteenth-century Gothic ghosts in Stephen King’s literature

≈ 2 mins de leitura

Abril Cristina A Huertas Abril

This chapter aims at drawing a thematic and formal outline of the eighteenth-century Gothic novel (focussing mainly on Walpole’s The Castle of Otranto) and its reception on the current American Gothic, led by Stephen King. To do this, we start from the assumption that there are several constant parameters in the evolution of the Gothic genre, namely: the limits of rationality and passions, the family ties, the settings, the claustrophobic atmosphere, etc. Due to King’s enormous literary production, one of his most relevant works has been chosen: The Shining, in order to carry out a comparative analysis underlining the reception, the evolution and the interferences of elements from the beginnings of the Gothic literature.


ISBN:
978-989-26-1763-3
eISBN: 978-989-26-1765-7
DOI: 10.14195/978-989-26-1765-7_14
Área: Artes e Humanidades
Páginas: 199-209
Data: 2019

Keywords

Download


Outros Capítulos (18)

Introduction

[s. n.]

https://doi.org/10.14195/978-989-26-1765-7_0

Ghosts stories in the Greek novel: a typology attempt

Consuelo Ruiz Montero

https://doi.org/10.14195/978-989-26-1765-7_1

The function of dream-stories in Plutarch’s Lives

Dámaris Romero-González

https://doi.org/10.14195/978-989-26-1765-7_2

Menippus: a truly living ghost in Lucian’s Necromancy

Pilar Gómez Cardó

https://doi.org/10.14195/978-989-26-1765-7_3

Lies too good to lay to rest: the survival of pagan ghost stories in early Christian literature

Daniel Ogden

https://doi.org/10.14195/978-989-26-1765-7_4

Demons, ghosts and spirits in the philosophical tradition

Vázquez Manuel Bermúdez Vázquez

https://doi.org/10.14195/978-989-26-1765-7_5

The atomistic denial of ghosts: from Democritus to Lucretius

Vera Ángel Jacinto Traver Vera

https://doi.org/10.14195/978-989-26-1765-7_6

The role of the ghosts in Seneca’s tragedies

Miguel Rodríguez-Pantoja

https://doi.org/10.14195/978-989-26-1765-7_7

Ghosts of girlfriends past: development of a literary episode

Mariscal Gabriel Laguna Mariscal

https://doi.org/10.14195/978-989-26-1765-7_8

On women’s faithfulness and ghosts: about Decameron 7

Francisco José Rodríguez Mesa

https://doi.org/10.14195/978-989-26-1765-7_9

The “Ghost” in the Magic Treatises by Lope de Barrientos

Antonia Rísquez

https://doi.org/10.14195/978-989-26-1765-7_10

“Phantom Ladies” and “Ghost Gallants”: the motif of supernatural lovers in the Spanish golden age theatre

Ana Zapatero Molinuevo

https://doi.org/10.14195/978-989-26-1765-7_11

Tomorrow in The Battle Think on Me: haunting ghosts, remorse and guilt in Shakespeare’s Richard III and Javier Marías

Mónica Martínez Sariego

https://doi.org/10.14195/978-989-26-1765-7_12

Ghostly presences in H.P. Lovecraft’s “Cool Air” and The Case of Charles Dexter Ward

Juan L Pérez-de-Luque

https://doi.org/10.14195/978-989-26-1765-7_13

The influence of The Castle of Otranto in The Shining, or the reception of eighteenth-century Gothic ghosts in Stephen King’s literature

Abril Cristina A Huertas Abril

https://doi.org/10.14195/978-989-26-1765-7_14

The ghostly, the uncanny and the abject in Jean Rhys’s After Leaving Mr Mackenzie

López María J. López

https://doi.org/10.14195/978-989-26-1765-7_15

The Moroccan jinn in the Anglo-American literary and ethnographic tradition

María Porras Sánchez

https://doi.org/10.14195/978-989-26-1765-7_16

Purgatory in Los Pedroches: an anthropological approach from the ethnographic analysis of a ceremony: Ánimas Benditas in Christmas Eve in Dos Torres

Ignacio Alcalde Sánchez

https://doi.org/10.14195/978-989-26-1765-7_17