Catarina Martins
It is by now a common place in identity theory that the construction of an identity for the individual and collective Self implies and is correlated with the concomitant construction of an Other or of a set of differences that allow for the contouring of the I /We. Yet the analysis and epistemological reflection about these processes of Othering or of producing, interpreting and valuing difference, is far from exhausted, since they are extremely complex, ambiguous versatile, delusive, multidirectional, multilayered and reach from representation and discourse inextricably to social and political practices. Framed by this extremely broad set of questions my paper will focus upon the construction of an understanding of the West that sets itself against its many Others through complex logics that involve cultural, racial, ethnic, religious and national paradigms, but are moreover deeply sexualized. Indeed, it seems that Western thought, knowledge and politics, both in their more conservative patriarchal and in their more progressive feminist models, and in ideological stances that can be segregationist or solidary in their intentions, need to create an Other that will invariably be evoked as a non‑sexualized block or referred to as a generalizing male norm, but that in fact almost always involves the simultaneous creation of the Other of this Other: the non‑western Woman, or the Woman of the Rest. The word “rest” will express here the many ways in which these women are in fact pushed back to the ultimate layer of crossed processes of Othering that condemn them to silence and invisibility both within their cultures and as instruments of Western identity and “real” politics.
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ISBN: 978-989-26-1482-3
eISBN: 978-989-26-1483-0
DOI: 10.14195/978-989-26-1483-0_11
Área: Artes e Humanidades
Páginas: 209-221
Data: 2017
Keywords
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Outros Capítulos (11)
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Planning and purism: ideological forces in shaping linguistic identity
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Language loss and changing identities in the Mirandese community
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Belonging and place in the age of globalisation: the case of Swiss ‘Heimat’
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National identity and the literary in the globalization era: Canada as case study
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‘Who do you think you are?’: a critique of the concept of exceptionalism in the construction and analysis of American identity
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Experiencing the identity(ies) of the other(s), finding that of one’s own on/through the stage in Wertenbaker’s play Our Country’s Good
Şenay Kara
https://doi.org/10.14195/978-989-26-1483-0_9
Cailís mo chuid fola/ the chalice of my blood: stigmatized female identity in Celia de Fréine’s Fiacha Fola
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The women of the other and us
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https://doi.org/10.14195/978-989-26-1483-0_11