Egidio Ivetic
The Adriatic is a homogeneous sea as far as its form is concerned, and at the same time a complex one when its cultural stratifications are considered, stratifications particularly evident along the eastern littoral, a border zone between civilization models, between Western and Eastern Europe, Central Europe and the Mediterranean. The Adriatic as a region does not have a common historiography, there is not a single version of its past accepted by all the nations that make part of it. Recent trans‑frontier policies impose a new political vision of the Adriatic, a regionalization of this sea. This tendency will have, sooner or later, a cultural implication, involving the way we look at the Adriatic past.
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ISBN: 978-989-26-1482-3
eISBN: 978-989-26-1483-0
DOI: 10.14195/978-989-26-1483-0_3
Área: Artes e Humanidades
Páginas: 51-63
Data: 2017
Keywords
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Outros Capítulos (11)
“Whoever is not Greek is a Barbarian”
Juan Luis García Alonso
https://doi.org/10.14195/978-989-26-1483-0_1
Planning and purism: ideological forces in shaping linguistic identity
Virve Anneli Vihman
https://doi.org/10.14195/978-989-26-1483-0_2
History as identity: the Adriatic sea
Egidio Ivetic
https://doi.org/10.14195/978-989-26-1483-0_3
Sound/unsound: classroom identities and the sounds of English
Diana Silver
https://doi.org/10.14195/978-989-26-1483-0_4
Language loss and changing identities in the Mirandese community
Cristina Martins
https://doi.org/10.14195/978-989-26-1483-0_5
Belonging and place in the age of globalisation: the case of Swiss ‘Heimat’
Juergen Barkhoff
https://doi.org/10.14195/978-989-26-1483-0_6
National identity and the literary in the globalization era: Canada as case study
Ana María Fraile‑Marcos
https://doi.org/10.14195/978-989-26-1483-0_7
‘Who do you think you are?’: a critique of the concept of exceptionalism in the construction and analysis of American identity
Stephen Wilson
https://doi.org/10.14195/978-989-26-1483-0_8
Experiencing the identity(ies) of the other(s), finding that of one’s own on/through the stage in Wertenbaker’s play Our Country’s Good
Şenay Kara
https://doi.org/10.14195/978-989-26-1483-0_9
Cailís mo chuid fola/ the chalice of my blood: stigmatized female identity in Celia de Fréine’s Fiacha Fola
Lillis Ó Laoire
https://doi.org/10.14195/978-989-26-1483-0_10
The women of the other and us
Catarina Martins
https://doi.org/10.14195/978-989-26-1483-0_11