Cristina Martins
Mirandese is a minority language spoken in a small area of Northeastern Portugal, on the Portuguese‑Spanish border. Having descended from Astur‑Leonese (Menéndez Pidal, 1962; Vasconcelos, 1882), one of the romance varieties spoken in the Iberian Peninsula during the Middle Ages, Mirandese has survived in contact with Portuguese (and also with Spanish) over the course of several centuries in small, close‑knit, bi‑ and trilingual communities. However, recent sociolinguistic data highlight the fact that Mirandese is, at present, a definitively, or even severely endangered minority language (United Nations Educational, Scientific and Cultural Organization [UNESCO], 2003). At the core of language loss in the Mirandese community are the rapidly changing social identities of its bilingual speakers.
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ISBN: 978-989-26-1482-3
eISBN: 978-989-26-1483-0
DOI: 10.14195/978-989-26-1483-0_5
Área: Artes e Humanidades
Páginas: 77-89
Data: 2017
Keywords
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Outros Capítulos (11)
“Whoever is not Greek is a Barbarian”
Juan Luis García Alonso
https://doi.org/10.14195/978-989-26-1483-0_1
Planning and purism: ideological forces in shaping linguistic identity
Virve Anneli Vihman
https://doi.org/10.14195/978-989-26-1483-0_2
History as identity: the Adriatic sea
Egidio Ivetic
https://doi.org/10.14195/978-989-26-1483-0_3
Sound/unsound: classroom identities and the sounds of English
Diana Silver
https://doi.org/10.14195/978-989-26-1483-0_4
Language loss and changing identities in the Mirandese community
Cristina Martins
https://doi.org/10.14195/978-989-26-1483-0_5
Belonging and place in the age of globalisation: the case of Swiss ‘Heimat’
Juergen Barkhoff
https://doi.org/10.14195/978-989-26-1483-0_6
National identity and the literary in the globalization era: Canada as case study
Ana María Fraile‑Marcos
https://doi.org/10.14195/978-989-26-1483-0_7
‘Who do you think you are?’: a critique of the concept of exceptionalism in the construction and analysis of American identity
Stephen Wilson
https://doi.org/10.14195/978-989-26-1483-0_8
Experiencing the identity(ies) of the other(s), finding that of one’s own on/through the stage in Wertenbaker’s play Our Country’s Good
Şenay Kara
https://doi.org/10.14195/978-989-26-1483-0_9
Cailís mo chuid fola/ the chalice of my blood: stigmatized female identity in Celia de Fréine’s Fiacha Fola
Lillis Ó Laoire
https://doi.org/10.14195/978-989-26-1483-0_10
The women of the other and us
Catarina Martins
https://doi.org/10.14195/978-989-26-1483-0_11